$2900.0 Buy It Now or Best Offer
free,30-Day Returns

Seller Store oldprince22
(2403) 100.0%,

Location: Key West, Florida
Ships to: US,
Item: 364587280289

All returns accepted:ReturnsNotAccepted
Artist:Salvador Dalí,Salvador Dali
Unit of Sale:Single Piece
Signed By:Salvador Dali
Image Orientation:Portrait
Size:Medium (up to 36in.)
Signed:Yes
Title:Changes In Great Masterpieces
Material:Paper
Certificate of Authenticity (COA):Yes
Framing:Unframed
Original/Licensed Reprint:Original
Subject:Surrealism,Surreal,Dali,Artists,Changes In Great Masterpieces,Masterpiece,Art History,The Louvre,Surreal Portrait,Royalty,Renaissance,Raphael,La Marriage de la Vierge,The Marriage Of The Virgin
Print Surface:Paper
Listed By:Dealer or Reseller
Type:Lithograph In Colors
Year of Production:1974
Item Height:35 in
Style:Abstract,Modernism,Surrealism
Theme:Art,Surrealism,Surreal,Salvador Dali,Masterpieces,National Gallery,Surreal Portrait,Changes In Great Masterpieces,Renaissance,La Marriage de la Vierge,Raphael,Marriage Of The Virgin
Features:1st Edition,Limited Edition,Numbered,Signed,Hand Signed In Pencil, LR
Production Technique:Lithography
Country/Region of Manufacture:United States
Item Width:25 in
Time Period Produced:1970-1979

Up for sale is a limited edition hand signed lithograph in colors titled “Raphael : La Marriage de la Vierge (The Marriage Of The Virgin) : From Changes In Great Masterpieces Suite” by master artist Salvador Dali, published in 1974 on Arches watermarked paper. This piece is hand signed in pencil by Dali on the lower right, and numbered in pencil 249 of 350 on the lower left. Sheet size: 25 x 35”. The catalogue reference is Field 74-2. Provenance: Acquired From The Phyllis Lucas Gallery, NYC, New York. Phyllis Lucas Gallery was the official American dealer and a publisher of Dali’s lithography. The lithograph is stamped “Phyllis Lucas” on the reverse. Discussion: This lithograph is one of six lithographs from the series Changes in Great Masterpieces published by Phyllis Lucas, 1974. In this series of six original lithographs in full color, Master Dali has given us a concept most original and provocative. His contention is that we “look” but actually do not “see” all the details in a work of art. For this reason Dali has honored six great paintings by Rembrandt, Vermeer, Raphael, and Velasquez and of course himself on which he has made certain changes to tantalize the viewer into studying and comparing the original with his graphic work. A facsimile of each original painting appears at the bottom of each sheet for this purpose. To further give us an example of Dalinean wit, he has added a “remark” on each graphic in the form of an original lithograph relating to the actual subject. In January 1965 Master Salvador Dali appointed Sidney Z. Lucas, New York City art publisher, to be his exclusive publisher in North America of hand signed graphics, including original lithographs like this piece. As Dali's first North American publishers of original lithographs, the Lucas Gallery began a personal collaboration with Dali that lasted from 1965 to 1974. I will also provide a certificate of authenticity (COA) with this piece. Guaranteed 100% authentic. I have been dealing in Dali works on paper for over 20 years, please check out my other original Salvador Dali listings. In addition to buying from me, I offer up to three FREE opinions of authenticity of any Dali works on paper you may have questions about. There are many fakes of his work, for example be very careful of any “E.A.” or artist’s proofs by the master. I invite you to watch an educational Antiques Roadshow PBS video which highlights this: https://www.pbs.org/video/antiques-roadshow-appraisal-1971-salvador-dali-etching/ Please email me with any questions, thank you! Additional Discussion: “The Marriage of the Virgin, also known as Lo Sposalizio, is an oil painting by the Italian High Renaissance artist Raphael. Completed in 1504 for the Franciscan church of San Francesco, Città di Castello, the painting depicts a marriage ceremony between Mary and Joseph. It changed hands several times before settling in 1806 at the Pinacoteca di Brera. In the later years of the 15th century, patrons in Citta di Castello sent three commissions to Raphael's teacher Pietro Perugino which, in Perugino's absence, were completed by Raphael. The Marriage of the Virgin, featuring the theme of the Marriage of the Virgin, was the last of these. Evidently inspired by one of Perugino's paintings, also known as Marriage of the Virgin, Raphael finished his own work, according to the date placed next to his signature, in 1504. This particular piece was commissioned by one Filippo degli Albezzini to hang in a church dedicated to Saint Francis. It remained in its original home until General Giuseppe Lechi led forces to Città di Castello to liberate it from Austrian occupation, when the painting was gifted to (or perhaps demanded by) the general. “Restoring Raphael” in the Cambridge Companion to Raphael (2005) reports that the painting remained with Lechi to his death in 1804, but Lechi died in 1836. The Cyclopedia of Painters and Paintings states rather that Lechi sold the piece in 1801 to one Giacomo Sannazaro, who himself sold the piece in 1804 to the Ospedale Maggiore in Milan. By whatever means it arrived there, it was in the possession of the hospital for a short time, as in 1806 the hospital sold it to the Italian state for 53,000 francs. It has since then been displayed in the Pinacoteca di Brera, in spite of an 1859 proposal to donate the image to France after that country's army had entered Milan. Through these various relocations, the painting was damaged. The panel had several cracks in the upper half, while there was rippling and bowing throughout. Italian artist Giuseppe Molteni, retained to repair it in November 1857, chose to preserve the panel rather than transfer the painting to canvas and spent months flattening the panel and hydrating it to overcome the damage of desiccation. This decision on the part of Molteni has permitted 20th-century art historians to use infrared reflectography to study the underdrawing beneath the completed art work. Molteni also undertook to clean the surface of the painting, which had been subjected to restoration before. He did not clean aggressively, as he wanted to be sure that elements of the original painting were preserved. The Cyclopedia of Painters and Paintings indicates that the painting is “somewhat discoloured.” (-From Wikipedia) Salvador Dali Biography: From the Smithsonian Magazine: by Stanley Meisler, April 2005 “The Surreal World of Salvador Dalí” Salvador Dalí spent much of his life promoting himself and shocking the world. He relished courting the masses, and he was probably better known, especially in the United States, than any other 20th-century painter, including even fellow Spaniard Pablo Picasso. He loved creating a sensation, not to mention controversy… Salvador Felipe Jacinto Dalí Domènech was born May 11, 1904, in the Catalonian town of Figueres in northeastern Spain. His authoritarian father, Salvador Dalí Cusí, was a well-paid official with the authority to draw up legal documents. His mother, Felipa Domènech Ferres, came from a family that designed and sold decorated fans, boxes and other art objects. Although she stopped working in the family business after marriage, she would amuse her young son by molding wax figurines out of colored candles, and she encouraged his creativity. According to Dalí biographer Ian Gibson, she was proud of Salvador’s childhood drawings. “When he says he’ll draw a swan,” she would boast, “he draws a swan, and when he says he’ll do a duck, it’s a duck.” Dalí had an older brother, also named Salvador, who died just nine months before the future artist’s birth. A sister, Ana María, was born four years later. Dreamy, imaginative, spoiled and self-centered, the young Salvador was used to getting his own way. “At the age of six,” he wrote in his 1942 autobiography, The Secret Life of Salvador Dalí, “I wanted to be a cook. At seven I wanted to be Napoleon. And my ambition has been growing steadily ever since.” He prided himself on being different and felt himself blessed with a delicate sensitivity. Grasshoppers frightened him so much that other children threw them at him to delight in his terror. Dalí was 16 when his mother died of cancer. “This was the greatest blow I had experienced in my life,” he wrote in his autobiography. “I worshiped her. . . . I swore to myself that I would snatch my mother from death and destiny with the swords of light that some day would savagely gleam around my glorious name!” Yet eight years after her death, he would sketch the outline of Christ in an ink drawing and scrawl across it the words about spitting on his mother’s portrait. (Although Dalí probably intended the work as an anticlerical statement, not a personal slur against his mother, news of it infuriated his father, who threw him out of the house.) The precocious Dalí was just 14 when his works were first exhibited, as part of a show in Figueres. Three years later, he was admitted to the Royal Academy of Fine Arts of San Fernando in Madrid but, once there, felt there was more to learn about the latest currents in Paris from French art magazines than from his teachers, whom he believed were out of touch. (On a brief excursion to Paris with his father in 1926, he called on his idol, Pablo Picasso. “I have come to see you before visiting the Louvre,” Dalí said. “You’re quite right,” Picasso replied.) When it came time for his year-end oral exam in art history at the academy, Dalí balked at the trio of examiners. “I am very sorry,” he declared, “but I am infinitely more intelligent than these three professors, and I therefore refuse to be examined by them. I know this subject much too well.” Academy officials expelled him without a diploma. It was probably inevitable that the then-current ideas of the French Surrealists—artists such as Jean Arp, René Magritte and Max Ernst—would attract Dalí. They were trying to apply the new, psychoanalytic theories of Sigmund Freud to painting and writing. Dalí was well acquainted with Freud and his ideas about sexual repression taking the form of dreams and delusions, and he was fascinated with the Surrealists’ attempts to capture these dreams in paint. It was Spanish artist Joan Miró, a fellow Catalan allied to the Surrealists, who would bring Dalí to their attention. Miró even had his own Paris dealer look at Dalí’s paintings on a visit to Figueres. Afterward, Dalí wrote to his friend the Spanish playwright and poet Federico García Lorca, whom he had met during their student days in Madrid, that Miró “thinks that I’m much better than all the young painters in Paris put together, and he’s written to me telling me that I’ve got everything set up for me there in order to make a great hit.” Miró continued to drum up interest in Dalí’s work in Paris, and when the artist arrived there in 1929, Miró introduced him to many of the Surrealists. Dalí had come to Paris to take part in the filming of Un Chien Andalou (An Andalusian Dog), which Spanish film directorLuis Buñuel, whom Dalí had also known since his studentdays, was directing from a script on which he and Dalíhad collaborated. The 17-minute film, as incoherent as adream, riveted—and appalled—audiences with its overt sexualand graphic imagery. Even today, it’s hard not to cringe atimages of a man wielding a razor against the eye of a woman, priests towing dead donkeys, and ants devouring a rottinghand. Dalí boasted that the movie, which was praised byavant-garde critics, “plunged like a dagger into the heart of Paris.” In the summer of that same year, Dalí, 25, met his future wife and lifelong companion, Gala, at his family’s vacation home in Cadaqués, a picturesque fishing village on the craggy Mediterranean coast, 20 miles from Figueres. Among the visitors that summer were Buñuel, Magritte and French poet Paul Éluard and his Russian-born wife, Helena Diakanoff Devulina, better known as Gala. Ten years older than Dalí, Gala was at first put off by Dalí’s showoff manner, heavily pomaded hair and air of dandyism that included a necklace of imitation pearls. His demeanor struck her as “professional Argentine tango slickness.” But the two were ultimately drawn to each other, and when Gala’s husband and the others left Cadaqués, she stayed behind with Dalí. The affair proceeded slowly. It was not until the next year, according to Dalí, that in a hotel in the south of France, he “consummated love with the same speculative fanaticism that I put into my work.” Dalí’s father was so upset by the liaison and by Dalí’s eccentric behavior that he branded him “a perverted son on whom you cannot depend for anything” and permanently banished him from the family homes. Critic Robert Hughes described Gala in his Guardian article as a “very nasty and very extravagant harpy.” But Dalí was completely dependent on her. (The couple would marry in 1934.) “Without Gala,” he once claimed, “Divine Dalí would be insane.” International acclaim for Dalí’s art came not long after he met Gala. In 1933, he enjoyed solo exhibitions in Paris and New York City and became, as Dawn Ades, who curated the exhibition in Venice, puts it, “Surrealism’s most exotic and prominent figure.” French poet and critic André Breton, the leader of the Surrealist movement, wrote that Dalí’s name was “synonymous with revelation in the most resplendent sense of the word.” In 1936, Dalí, at 32, made the cover of Time magazine. In addition to Freudian imagery—staircases, keys, dripping candles—he also used a host of his own symbols, which had special, usually sexual, significance to him alone: the grasshoppers that once tormented him, ants, crutches, and a William Tell who approaches his son not with a bow and arrow but a pair of scissors. When Dalí finally met Freud in London in 1938 and started to sketch him, the 82-year-old psychoanalyst whispered to others in the room, “That boy looks like a fanatic.” The remark, repeated to Dalí, delighted him. Dalí’s Surrealist paintings are surely his finest work—even though his penchant for excess often led him to paint too many shocking images on a single canvas and too many canvases that seem to repeat themselves. But at his best, Dalí, a superb draftsman, could be spare and orderly. The Persistenceof Memory, for example, features three “melting” watches, and a fourth covered by a swarm of ants. One of the watches saddles a strange biomorphic form that looks like some kind of mollusk but is meant to be the deflated head of Dalí. When New York dealer Julien Levy bought the painting for $250 in 1931, he called it “10 x 14 inches of Dalí dynamite.” The work, which was acquired by New York City’s Museum of Modern Art in 1934, excited viewers even as it puzzled them. One critic urged readers to “page Dr. Freud” to uncover the meaning in the canvas. As his fame grew, Dalí’s reputation was undermined by his outrageous pronouncements. He confessed that he dreamed of Adolph Hitler “as a woman” whose flesh “ravished me.” Although he insisted he rejected Hitlerism despite such fantasies, the Surrealists, who were allied to the French Communist Party, expelled him in 1939. He also later extolled Spain’s fascist leader Gen. Francisco Franco for establishing “clarity, truth and order” in Spain.Yet just before the civil war began, Dalí painted Soft Construction with Boiled Beans (Premonitionof Civil War), in which a tormented figure, straight out of the works of Francisco Goya, tears itself apart in what Dalí called “a delirium of autostrangulation.” The work is a powerful antiwar statement. Dalí and Gala visited the United States often in the late 1930s and made it their home during World War II. The American sojourn ushered in the era of Dalí’s greatest notoriety. “Every morning upon awakening,” he wrote in 1953, “I experience a supreme pleasure: that of being Salvador Dalí, and I ask myself, wonderstruck, what prodigious thing will he do today, this Salvador Dalí.” Dalí admitted having a “pure, vertical, mystical, gothic love of cash.” He felt impelled, he said, to accumulate millions of dollars. So he created jewelry, designed clothes and furniture (including a sofa in the form of actress Mae West’s lips), painted sets for ballets and plays, wrote fiction, produced a dream sequence for the Alfred Hitchcock thriller Spellbound and designed displays for store windows. He took these commissions seriously. In 1939, he was so enraged when his Bonwit Teller window display in Manhattan was changed that he shoved a bathtub in it so hard that both he and the tub crashed through the window. In 1948 Dalí and Gala moved back to their house (which Dalí had festooned with sculptures of eggs) in Port Lligat, Spain, a couple of miles along the Mediterranean coast from Cadaqués. Dalí was 44; for the next 30 years, he would paint most of the year in Port Lligat and, with Gala, divide his winters between the Hotel Meurice in Paris and the St.RegisHotel in New York City. World War II changed Dalí’s ideas about painting. As he had once been in thrall to Freud, he now became obsessed with the splitting of the atom and Nobel Prize-winning physicist Werner Karl Heisenberg, leader of the German scientists who failed to develop an atomic bomb. “Dalí was acutely aware of his times,” says the Philadelphia Museum of Art’s Michael R.Taylor, who curated the show in Philadelphia. “He said to himself: Velázquez and Raphael—if they had lived in a nuclear age, what would they paint?” In 1951, Dalí painted a delicate, Raphaelite head, then let it burst apart into countless pieces, swirling like cascading atoms (Raphaelesque Head Exploding). In a Surrealist touch, the flying particles are tiny rhinoceros horns, which Dalí regarded as symbols of chastity. Dalí dubbed his new style Nuclear Mysticism. His work during these years was often self-indulgent. He posed Gala too many times, for instance, as an unlikely Virgin Mary and painted enormous canvases with historical and religious scenes that look overblown today. Yet this new religious imagery often pulsed with power. His stunts, too, were self-indulgent, though some were quite funny. In 1955 he showed up for a lecture in Paris in a Rolls Royce stuffed with cauliflower. To promote The Worldof Salvador Dalí, a book he produced with French photographer Robert Descharnes in 1962, Dalí dressed in a golden robe and lay on a bed in a Manhattan bookstore. Attended by a doctor, a nurse and Gala, he signed books while wired to a machine that recorded his brain waves and blood pressure. A copy of this data was then presented to the purchaser. For a television commercial in 1967, he sat in an airplane alongside Whitey Ford, the New York Yankees star pitcher, and proclaimed the advertising campaign slogan of Braniff Airlines in heavily accented English—“If you got it, flaunt it.” Said Ford, “That’s telling ’em, Dalí baby.” But while Dalí could play the buffoon, he was also generous in reaching out to young artists and critics. When American Pop Art painter James Rosenquist was a struggling artist painting billboards in New York City, Dalí invited him to lunch at the St. Regis, then spent hours discussing art and encouraging his young guest. As a graduate student in the late 1960s, Dawn Ades knocked unannounced on Dalí’s door at Port Lligat. He invited her in. “Please sit down and watch me paint,” he said, then answered her questions as he worked. And Dalí’s public popularity never waned. In 1974, when he was 70 years old, the town of Figueres opened the Dalí Theatre-Museum with an array of works donated by its renowned native son. The building was more of a Surrealist happening than a museum, featuring bizarre Dalí favorites such as the long black Cadillac that rained inside itself whenever a visitor dropped a coin into a slot. Hundreds of thousands of visitors still tour the museum each year. Dalí’s last years were not joyful. He had bought a castle as a retreat for Gala in the town of Púbol, and beginning in 1971, she stayed there for weeks at a time. Dalí decorated parts of the castle with ostentatious furniture, but by his own account was allowed to visit only by written invitation. His fear that Gala might abandon him almost certainly contributed to his depression and decline in health. After Gala’s death in 1982 at the age of 87, Dalí’s depression worsened, and he moved into the Púbol castle attended by nurses. His incessant use of a call button caused a short circuit that set off a fire in his bed and burned his leg. Doctors transferred him to Figueres, where he lay bedridden in the Torre Galatea, an old building with a tower that had been purchased after Gala’s death as an extension to the museum. “He does not want to walk, to speak, to eat,” the French photographer Descharnes, then managing Dalí’s affairs, told a newspaper reporter in 1986. “If he wants, he can draw, but he does not want.” Dalí died in the Torre Galatea on January 23, 1989, at age 84 and was buried in the Dalí Theatre-Museum. For the most part, posthumous critical judgment has been harsh. “Critics believed that everything he painted after 1939 was awful junk,” says the Philadelphia Museum’s Taylor. “But I don’t agree. There were masterpieces in his later work, perhaps not as good as the early masterpieces, but masterpieces nevertheless. Dalí should be ranked with Picasso and Matisse as one of the three greatest painters of the 20th century, and I hope our exhibition will make this clear.” About the seller: Aside from being a professional artist, I have been working with original works on paper by 19th and 20th century modern and contemporary masters since 2004, with a focus on the great Salvador Dali. Regarding my fine art background and expertise, I take great pride in any original work on paper that I represent. The fine art world can be overwhelming and there are a lot of false experts, my goal has always been with educating the buyer. I have learned a lot in my nearly 20 years of working with fine art masters, as well as many highly reputable galleries and private dealers. All items I sell have been extensively researched, documented in the official catalogue raisonnes of the artists when applicable, and I provide a signed lifetime guarantee/ certificate of authenticity of the fine art I sell, legally binding me to my word. I stay away from dubious works of art, and if there is a concern I am unaware of I fortunately know the right people to ask. In 2000 after high school I moved from Connecticut to attend the George Washington University and was curator for Galerie Lareuse with expert Jean-Michel Lareuse for 11 years in Georgetown; member of the IFPDA (International Fine Print Dealers Association) specializing in original works on paper by 19th & 20th century masters such as Picasso, Dali, Chagall, Miro, Braque, Renoir, Leger, Matisse, Magritte, Kandinsky, Buffet, Dufy, Lautrec, Calder, Cassatt, Delaunay, Haring, Warhol, Degas, and many others. I oversaw and personally handled hundreds of original works on paper and was tasked with extensive research, appraisals, sales, certification, private acquisitions, as well as museum-quality professional framing. I assisted with transactions involving many prestigious museums and organizations, including a 2006 sale via Galerie Lareuse of Picasso's rare 1912 etching “Nature Morte, Bouteille” to the National Gallery of Art in Washington DC, a 2011 sale of Vincent van Gogh's very rare c.1890 etching “Portrait of Dr. Gachet”, and a 2012 sale of a unique original gouache drawing by Sonia Delaunay which is now located in The Phillips Collection. I also assisted in the art estate of the late and great Eunice Shriver, and many other private collections in the DC area. If you have any questions, please do not hesitate to contact me as I am here to help! Kind regards, Kreg

Frequently Asked Questions About Salvador Dali : Raphael Hand Signed Original Lithograph Marriage Virgin Vierge in My Website

fratellisclub.com is the best online shopping platform where you can buy Salvador Dali : Raphael Hand Signed Original Lithograph Marriage Virgin Vierge from renowned brand(s). fratellisclub.com delivers the most unique and largest selection of products from across the world especially from the US, UK and India at best prices and the fastest delivery time.

What are the best-selling Salvador Dali : Raphael Hand Signed Original Lithograph Marriage Virgin Vierge on fratellisclub.com?

fratellisclub.com helps you to shop online and delivers Casio to your doorstep. The best-selling Casio on fratellisclub.com are: Casio Data Bank VDB-2000 Tested Working CASIO GENERAL LTP-1129G-7ARDF WOMEN’S WATCH Women Classic Japan Quartz Analog Watch CASIO LTP-1141PA-7BEG White Dial 30mm Casio Moonphase Quartz Stainless Steel MTP-M305D-7A2VDF Apple Watch style Casio Digital Alarm Illuminator W-800HG-9AVDF W-800HG-9AV Men’s Watch Casio A178WA-1A Digital Mens Watch Original New Stainless Steel WR A-178 Casio Edifice Eqw-M600 Solar Radio Watch with Case CASIO Woman Metal Wrist Watch LTP-V007G-9B Original New Genuine Casio Watch Band strap GN1000-1A GN1000B-1A GN-1000 GULFMASTER 10627083 Casio AEQ110W-1AV, Telememo 30 Watch, 100M, 3 Alarms, Chronograph, World Time Casio F-91WC-4A Pink Original Alarm Chronograph Classic Digital Watch F-91 Retro CASIO CLASSIC 52QS-14B Reprint Digital Watch A1100G-5JF Men’s Wristwatch Unused CASIO CLASSIC Digital Men’s Wtist Watch F-91WB-8AJF Dark Gray Unused item in Box Men Sports Japan Quartz Digital Watch Alarm CASIO W-59-1VQES Grey Dial 37mm Casio General Digital W-218HC-8AVDF Unisex Watch Casio Women’s Runner Quartz Running Watch with Resin Strap, Black, 19.3 (Model: Casio Watch Baby G Radio Solar BGA-2800-4A2JF Rady Pink Beige CASIO CLASSIC Digital Wrist Watch Ladies LA700WE-4AJF Classic Model Unused item Casio Analog Moon Phase Leather Strap Silver Dial Quartz MTPM100L7A Mens Watch Casio Mw-59 Watch Unused But Battery Is Dead Genuine Casio Watch Strap F0R G-Shock Solar Atomic GW560 GW-5600J GW5600J-1 PINS CASIO TSR-110 THERMO SCANNER 100M WR VINTAGE DIGITAL WATCH JAPAN 1994 CASIO “CLASSIC” AQ-800EB-2AJF Navy Retro Modern VINTAGE Ana-Digi Chipkashi Retro Casio Women’s Watch Metal Band Gold Original New AQ-230GA-9D Casio Unisex Vintage Collection B640WMR-5A Rose Gold Stainless Steel Watch CASIO “CLASSIC” AQ-800E-3AJF Silver x Mint Green Retro Modern VINTAGE Ana-Digi JaysAndKays® BULLBARS® for Casio G-Shock G-9000 Mudman Protectors Wire Guards CASIO STANDARD CA-500WEG-1AJF Gold Standard Digital Watch Calculator Design Rare CASIO GENERAL LTP-1335D-1A2VDF UNISEX’S WATCH CASIO QUARTZ SILVER STAINLESS STEEL LTP-1165A-7C2DF WOMEN’S WATCH Casio GMAS110VW-4A Women’s Translucent Pink Analog Digital G Shock Watch CASIO Stongue Dard MQ-24UC-3BJF Khaki Men’s Watch New in Box CASIO PRO TREK PRG-30-5JF Tough Solar Compass Barometer Thermometer Men Watch Casio Baby-G Digital Bgd-560S-8 Bgd560S-8 200M Women’s Watch New NWT Casio GW-4000 Tough Solar Watch CASIO Unisex Wrist Watch F-94WA-8 CASIO Men Stainless Steel Watch Gold Unisex A168WG Unisex Free Size CASIO G-SHOCK DW-5600TLS-8JF BEACH TIME LAPSE Series Digital Men Watch NEW BOX Casio General Digital W-218HC-2AVDF Men’s Watch New Casio LA670WGA-6 Water Resistant Auto Calendar Daily LA670WGA-6 Casio Women LTP-1169D-1ADF Watch Metal Band Silver Black Original New G-Shock GX-56BB-1ER Casio Multifunction Watch Casio AW-90H-2BVDF Black Blue Wristwatch Analog and Digital Ana-Digi Vintage CASIO CLASSIC Digital Wristwatch Ladies LA700WEG-9AJF Classic Model Unused item CASIO BABY-G BGD-5650-1CJF Black Chronograph Digital Women’s Watch New in Box Casio Baby-G Digital Resin Strap Pink Dial BG-169U-1C 200M Women’s Ladies Watch CASIO WAVECEPTOR WVQ-M410DE-2A2JF Multiband 6 men Watch New in Box CASIO Men Analog Eco-Drive Casual Watch Classic Dress Blue Dial Waterproof Round CASIO LTP-1234GLL-7A Women Classic Japan Quartz Analog Watch Genuine Leather Casio WAVE CEPTOR WVA-M630D-2AJF Watch Japan NEW Domestic Version CASIO STANDARD CLASSIC Digital Watch AQ-230A-7AMQYJF Silver Ana-Digi Chipkashi Casio EDIFICE Slim Line Sapphire Black Dial Quartz EFR-S108D-1A 100M Mens Watch CASIO Women Analog Quartz Casual Watch Classic Dress White Dial Waterproof Round Casio Women’s LTP1237D-2A Silver-Tone Blue Dial Analog Quartz Watch Casio G-SHOCK GA2100-4A Men’s Octo Slim Casi-Oak Bold Red Analog-Digital Watch Casio G-Shock 5600 Series Men’s Wristwatch Super Mario Bros DW5600SMB-4 NEW! NISSAN GT-R G-SHOCK 6th DW₋5600 CASIO Collaboration Limited Edition watch Casio MTP-M305L-1A2 Moonphase Quartz Stainless Steel Men’s Watch M305L M305 CASIO CLASSIC Digital Wristwatch Ladies LA700WE-7AJF classic Model Unused item Casio Stainless Steel Black Dial Japan Mov’t Quartz MDV-107D-1A3 200M Mens Watch Casio DW-5600VT G-Shock Watch CASIO G-SHOCK DW-6900GDA-9JR Gold Daruma Design Men’s Watch New in Box Casio Digital Dual Time Khaki Resin Band Watch WS1700H-5A WS-1700H-5A Casio G-shock Black Men’s Watch – GST-B400-1AER Casio Standard Analog Watch LRW200H-7E1 CASIO Wristwatch GW-3000M-4A G-Shock Sky Cockpit Radio Solar Men’s Analog jp new CASIO G-Shock GA-2110SU-3AJF Japan Domestic New CASIO G-SHOCK MTG-B1000D-1AJF Silver Stainless Steel Solar Analog Watch Casio CFX 200 Watch – Excellent Condition Casio Analog Quartz MW-240-1B2V MW240-1B2V Men’s Watch G-SHOCK Limited Model Iridescent Color Casio Ana-Digi Watch Black Rainbo NEW JP Casio A168 Watch Men Silver Tone Digital Alarm Chronograph 34mm Rectangle Works Casio MTP-1302D-7A1VDF Men Analog Stainless Steel Watch Original New Casio W-69H-1B Illuminator Watch Casio Standard Analog Ladies Watch LTP1129A-7A Casio Standard Dress MTP-M305L-7A Men’s Watch Casio Digital Stainless Steel LA670WA-7DF Womens Watch LA670WA-7D Original New Casio Vintage Digital Multicolor Dial Casual Quartz Unisex Watch A168WEUC-1A Casio G-Shock Black Dial Solar Sports 200M Men’s Watch GPR-H1000-1 Casio Original W-800 Classic Mens Resin Alarm Chronograph Watch W800H W-800H-1A Casio Digital Tide Graph Moonphase Illuminator Quartz WS1700H1AV 100M Mens Watch Used Casio G-Shock Gm-2100B-3Ajf Watch 2023 August Arrival CASIO EDIFICE EFR-S108DJ-2BJF Sapphire Crystal Watch Turquoise Blue Dial 39.9mm [Casio] Watch [Domestic Genuine] Wave Setter WV-200R-2AJF Men Blue CASIO G-SHOCK GG-B100BTN-1AJR BURTON collaboration Quartz Men’s NEW F/S CASIO BABY-G G-SQUAD BSA-B100-1AJF Black Women’s Watch 2018 New in Box NIXON CASIO Square wristwatch Casio New Original MTP-1302D-7A1 Men Analog Stainless Steel Watch WR 50M MTP1302 Casio LW204-1A Women’s POP Black Rose Gold Alarm Chronograph Digital Watch Casio Vintage Digital Stainless Steel Quartz A168WER-2A Unisex Watch Casio G-Shock Solar G-Steel Mens Watch GST-B200-1A Brand New Without Tags Casio MRW-200H-1B Original New Black Analog Mens Watch 100m WR MRW-200 CASIO WAVE CEPTOR WVA-M630B-3AJF Tough Solar Atomic Radio Japan Green Khaki CASIO GA-B2100-1A1JF [G-SHOCK GA-B2100 SERIES Men’s Rubber Band] New Casio G-Shock GST-W130 Leather/Rubber Brown Original Watch Strap 10540150 Casio MTP-VD03D-3A2 Men’s Green Analog Watch Steel Band Date Indicator New [Near Mint] Casio G-Shock GW-M5610R-1JF Tough Radio Solar Casio Original AE-1200WHD-1A Digital World Time Man’s Sports Watch NEW AE-1200D Casio G-SHOCK Watch DW-5600BBMA-1 CASIO GENERAL LW-203-1AVDF UNISEX’S WATCH Mens Pullover Fleece Hoodie