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Artist:Johnny Cash
Speed:33 RPM
Record Label:CBS Records
Release Title:Johnny Cash Sings His Best
Case Type:Cardboard Sleeve
Material:Vinyl
Inlay Condition:Mint (M)
Catalog Number:SLP 1245
Type:LP
Format:Record
Record Grading:Mint (M)
Release Year:1983
Sleeve Grading:Mint (M)
Language:English
Era:1980s
Style:1980s
Record Size:12″
Features:Sealed
Genre:Country
Country/Region of Manufacture:United States
Unit Quantity:1
Number of Audio Channels:Stereo

All sales final. Look at pictures for condition and measurements. Great Christmas present. Other items listed. P – 17627 Rare 1982 Johnny Cash Sings His Best (12″ vinyl LP) Factory (Sealed) History John R. Cash (born J. R. Cash; February 26, 1932 September 12, 2003) was an American singer-songwriter. Most of Cash’s music contains themes of sorrow, moral tribulation, and redemption, especially songs from the later stages of his career.[3][4] He was known for his deep, calm, bass-baritone voice,[a][5] the distinctive sound of his backing band, the Tennessee Three, that was characterized by its train-like chugging guitar rhythms, a rebelliousness[6][7] coupled with an increasingly somber and humble demeanor,[3] and his free prison concerts.[8] Cash wore a trademark all-black stage wardrobe, which earned him the nickname “Man in Black”.[b] Johnny Cash Cash in 1977 Born J. R. Cash February 26, 1932 Kingsland, Arkansas, U.S. Died September 12, 2003 (aged 71) Nashville, Tennessee, U.S. Resting place Hendersonville Memory Gardens Other names “Man in Black”John R. Cash Occupations Singersongwritermusicianactor Years active 19542003 Spouses Vivian Liberto (m. 1954; div. 1966) June Carter (m. 1968; died 2003) Children 5, including Rosanne, Cindy and John Relatives Tommy Cash (brother) Thomas Gabriel (grandson) Military career Allegiance United States Service / branch United States Air Force Years of service 19501954 Rank Staff sergeant Battles / wars Korean War Musical career Genres Country[1]rockabilly[1]rock and roll[2]folk[2]gospel[2]blues[2] Instruments Vocalsguitar Discography Albumssinglessongs Labels SunColumbiaMercuryAmerican RecordingsHouse of CashLegacy Formerly of The Highwaymen Website johnnycash.com Born to poor cotton farmers in Kingsland, Arkansas, Cash grew up on gospel music and played on a local radio station in high school. He served four years in the Air Force, much of it in West Germany. After his return to the United States, he rose to fame during the mid-1950s in the burgeoning rockabilly scene in Memphis, Tennessee. He traditionally began his concerts by introducing himself with “Hello, I’m Johnny Cash”.[c] He began to follow that by “Folsom Prison Blues”, one of his signature songs. His other signature songs include “I Walk the Line”, “Ring of Fire”, “Get Rhythm”, and “Man in Black”. He also recorded humorous numbers like “One Piece at a Time” and “A Boy Named Sue”, a duet with his future wife June called “Jackson” (followed by many further duets after they married), and railroad songs such as “Hey, Porter”, “Orange Blossom Special”, and “Rock Island Line”.[11] During the last stage of his career, he covered songs by contemporary rock artists; among his most notable covers were “Hurt” by Nine Inch Nails, “Rusty Cage” by Soundgarden, and “Personal Jesus” by Depeche Mode. Cash is one of the best-selling music artists of all time, having sold more than 90 million records worldwide.[12][13] His genre-spanning music embraced country, rock and roll, rockabilly, blues, folk, and gospel sounds. This crossover appeal earned him the rare honor of being inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame. Early life Cash’s boyhood home in Dyess, Arkansas, where he lived from the age of three in 1935 until he finished high school in 1950. The property, pictured here in 2021, is listed on the National Register of Historic Places. The home was renovated in 2011 to look as it did when Cash lived there as a child. Cash was born J. R. Cash in Kingsland, Arkansas, on February 26, 1932,[14][15] to Carrie Cloveree (ne Rivers) and Ray Cash. He had three older siblings, Roy, Margaret Louise, and Jack, and three younger siblings, Reba, Joanne, and Tommy (who also became a successful country artist).[16][17] He was primarily of English and Scottish descent.[18][19][20] His paternal grandmother claimed Cherokee ancestry. But a DNA test of Cash’s daughter Rosanne in 2021 on Finding Your Roots, hosted by historian Henry Louis Gates Jr, found she has no known Native American markers.[21] The researchers found Roseanne Cash has 3.3% Sub-Saharan African DNA, and they found the Sub-Saharan African DNA comes from both maternal and paternal sides of Cash’s family.[21] Researchers traced the Sub-Saharan African DNA to Roseanne’s enslaved maternal African ancestors: her “third great grand-mother” Sarah A. Shields and Shields’ mother, who could have been of “full African descent.”[21] Gates also informed Cash that the researchers traced Sub-Saharan African DNA to “an unknown African ancestor on your father’s [Johnny’s] side.”[21] After meeting with the then-laird of Falkland in Fife, Major Michael Crichton-Stuart, Cash became interested in his Scots ancestry. He traced his Scottish surname to 11th-century Fife. [22][23][24] Cash Loch and other locations in Fife bear the surname of his father.[22] He is a distant cousin of British Conservative politician Sir William Cash.[25] He also had English ancestry. Because his mother wanted to name him John and his father preferred to name him Ray when he was born, they compromised on the initials “J. R.”[26] But when Cash enlisted in the Air Force after high school, he was not permitted to use initials as a first name. He adopted the name “John R. Cash”. In 1955, when signing with Sun Records, he started using the name “Johnny Cash”.[7] In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas, a New Deal colony established during the Great Depression under the administration of President Franklin D. Roosevelt. It was intended to give poor families the opportunity to work land that they might later own.[27] From the age of five, Cash worked in cotton fields with his family, singing with them as they worked. Dyess and the Cash farm suffered a flood during his childhood. Later he wrote the song “Five Feet High and Rising”.[28] His family’s economic and personal struggles during the Great Depression gave him a lifelong sympathy for the poor and working class, and inspired many of his songs. In 1944,[29] Cash’s older brother Jack, with whom he was close, was cut almost in two by an unguarded table saw at work. He died of his wounds a week later.[30] According to Cash’s autobiography, he, his mother, and Jack all had a sense of foreboding about that day; his mother urged Jack to skip work and go fishing with Cash, but Jack insisted on working as the family needed the money. Cash often spoke of the guilt he felt over the incident. He would say that he looked forward to “meeting [his] brother in Heaven”.[7] Cash’s early memories were dominated by gospel music and radio. Taught guitar by his mother and a childhood friend, Cash began playing and writing songs at the age of 12. When young, Cash had a high-tenor voice, before becoming a bass-baritone after his voice changed.[31] In high school, he sang on a local Arkansas radio station. Decades later, he released an album of traditional gospel songs called My Mother’s Hymn Book. He was also strongly influenced by traditional Irish music, which he heard performed weekly by Dennis Day on the Jack Benny radio program.[32] Cash enlisted in the Air Force on July 7, 1950, shortly after the start of the Korean War.[33] After basic training at Lackland Air Force Base and technical training at Brooks Air Force Base, both in San Antonio, Texas, Cash was assigned to the 12th Radio Squadron Mobile of the U.S. Air Force Security Service at Landsberg, West Germany. While in San Antonio, he met Vivian Liberto, an attractive girl of Sicilian, Irish and German ancestry. They dated briefly before his departure. During the years he served overseas, they exchanged thousands of letters. He worked in West Germany as a Morse code operator, intercepting Soviet Army transmissions. While working this job, Cash was said to be the first American to be given the news of Joseph Stalin’s death (supplied via Morse code). His daughter, Rosanne, said that Cash had recounted the story many times over the years.[34][35][36] While at Landsberg, he created his first band, “The Landsberg Barbarians”.[37] On July 3, 1954, he was honorably discharged as a staff sergeant, and he returned to Texas.[38] During his military service, he acquired a distinctive scar on the right side of his jaw as a result of surgery to remove a cyst.[39][40] Soon after his return, Cash married Vivian Liberto in San Antonio. She had grown up Catholic and was married in the church by her paternal uncle, Father Franco Liberto. Early career Publicity photo for Sun Records, 1955 In 1954, Cash and his first wife Vivian moved to Memphis, Tennessee. He sold appliances while studying to be a radio announcer. At night, he played with guitarist Luther Perkins and bassist Marshall Grant. Perkins and Grant were known as the Tennessee Two. Cash worked up the courage to visit the Sun Records studio, hoping to get a recording contract.[41] He auditioned for Sam Phillips by singing mostly gospel songs, only to learn from the producer that he no longer recorded gospel music. Phillips was rumored to have told Cash to “go home and sin, then come back with a song I can sell”. In a 2002 interview, Cash denied that Phillips made any such comment.[42] Cash eventually won over the producer with new songs delivered in his early rockabilly style. In 1955, Cash made his first recordings at Sun, “Hey Porter” and “Cry! Cry! Cry!”, which were released in late June and met with success on the country hit parade. On December 4, 1956, Elvis Presley dropped in on Phillips while Carl Perkins was in the studio cutting new tracks, with Jerry Lee Lewis backing him on piano. Cash was also in the studio, and the four started an impromptu jam session. Phillips left the tapes running and the recordings, almost half of which were gospel songs, survived. They have since been released under the title Million Dollar Quartet. In Cash: the Autobiography, Cash wrote that he was the farthest from the microphone and sang in a higher pitch to blend in with Elvis. Cash’s next record, “Folsom Prison Blues”, made the country top five. His “I Walk the Line” became number one on the country charts and entered the pop charts top 20. “Home of the Blues” followed, recorded in July 1957. That same year, Cash became the first Sun artist to release a long-playing album. Although he was Sun’s most consistently selling and prolific artist at that time, Cash felt constrained by his contract with the small label. Phillips did not want Cash to record gospel and was paying him a 3% royalty rather than the standard rate of 5%. Presley had already left Sun, and Cash felt that Phillips was focusing most of his attention and promotion on Lewis. In 1958, Cash left Phillips to sign a lucrative offer with Columbia Records. His single “Don’t Take Your Guns to Town” became one of his biggest hits. He recorded a collection of gospel songs for his second album for Columbia. However, Cash left behind such a backlog of recordings with Sun that Phillips continued to release new singles and albums featuring previously unreleased material until as late as 1964. Cash was in the unusual position of having new releases out on two labels concurrently. Sun’s 1960 release, a cover of “Oh Lonesome Me”, made it to number 13 on the C&W charts.[d] Cash on the cover of Cash Box magazine, September 7, 1957 Early in his career, Cash was given the teasing nickname “the Undertaker” by fellow artists because of his habit of wearing black clothes. He said he chose them because they were easier to keep looking clean on long tours.[43] In the early 1960s, Cash toured with the Carter Family, which by this time regularly included Mother Maybelle’s daughters, Anita, June, and Helen. June later recalled admiring him from afar during these tours. In the 1960s, he appeared on Pete Seeger’s short-lived television series Rainbow Quest.[44] He also acted in, and wrote and sang the opening theme for, a 1961 film entitled Five Minutes to Live. It was later re-released as Door-to-door Maniac. Cash’s career was handled by Saul Holiff, a London, Ontario, promoter. Their relationship was the subject of Saul’s son’s biopic My Father and the Man in Black.[45] Outlaw image As his career was taking off in the late 1950s, Cash started drinking heavily and became addicted to amphetamines and barbiturates. For a brief time, he shared an apartment in Nashville with Waylon Jennings, who was deeply addicted to amphetamines. Cash would use the stimulants to stay awake during tours. Friends joked about his “nervousness” and erratic behavior, many ignoring the warning signs of his worsening drug addiction. Although he was in many ways spiraling out of control, Cash could still deliver hits due to his frenetic creativity. His rendition of “Ring of Fire” was a crossover hit, reaching number one on the country charts and entering the top 20 on the pop charts. It was originally performed by June Carter’s sister, but the signature mariachi-style horn arrangement was provided by Cash.[46] He said that it had come to him in a dream. His first wife Vivian (Liberto) Cash claimed a different version of the origins of “Ring of Fire”. In her book, I Walked the Line: My Life with Johnny (2007), Liberto says that Cash gave Carter half the songwriting credit for monetary reasons.[47] In June 1965, Cash’s camper caught fire during a fishing trip with his nephew Damon Fielder in Los Padres National Forest in California. It set off a forest fire that burned several hundred acres and nearly caused his death.[48][49] Cash claimed that the fire was caused by sparks from a defective exhaust system on his camper, but Fielder thought that Cash started a fire to stay warm and, under the influence of drugs, failed to notice the fire getting out of control.[50] When the judge asked Cash why he did it, Cash said, “I didn’t do it, my truck did, and it’s dead, so you can’t question it.”[51] The fire destroyed 508 acres (206 ha), burned the foliage off three mountains and drove off 49 of the refuge’s 53 endangered California condors.[52] Cash was unrepentant and said, “I don’t care about your damn yellow buzzards.”[53] The federal government sued him and was awarded $125,172. Cash eventually settled the case and paid $82,001.[54] The Tennessee Three with Cash in 1963 Although Cash cultivated a romantic outlaw image, he never served a prison sentence. Despite landing in jail seven times for misdemeanors, he was held only one night each time. On May 11, 1965, he was arrested in Starkville, Mississippi, for trespassing late at night onto private property to pick flowers. (He used this incident as the basis for the song “Starkville City Jail”. He discussed this on his live At San Quentin album.)[55] While on tour later that year, he was arrested October 4 in El Paso, Texas, by a narcotics squad. The officers suspected he was smuggling heroin from Mexico, but found instead 688 Dexedrine capsules (amphetamines) and 475 Equanil (sedatives or tranquilizers) tablets hidden inside his guitar case. Because the pills were prescription drugs rather than illegal narcotics, Cash received a suspended sentence. He posted a $1,500 bond and was released until his arraignment.[56] In this period of the mid-1960s, Cash released a number of concept albums. His Bitter Tears (1964) was devoted to spoken word and songs addressing the plight of Native Americans and mistreatment by the government. While initially reaching charts, this album met with resistance from some fans and radio stations, which rejected its controversial take on social issues. In 2011, a book was published about it, leading to a re-recording of the songs by contemporary artists and the making of a documentary film about Cash’s efforts with the album. This film was aired on PBS in February and November 2016. His Sings the Ballads of the True West (1965) was an experimental double record, mixing authentic frontier songs with Cash’s spoken narration. Reaching a low with his severe drug addiction and destructive behavior, Cash and his first wife divorced after having separated in 1962. Some venues cancelled his performances, but he continued to find success. In 1967, Cash’s duet with June Carter, “Jackson”, won a Grammy Award.[57] Cash was last arrested in 1967 in Walker County, Georgia, after police found he was carrying a bag of prescription pills when in a car accident. Cash attempted to bribe a local deputy, who turned the money down. He was jailed for the night in LaFayette, Georgia. Sheriff Ralph Jones released him after giving him a long talk, warning him about the danger of his behavior and wasted potential. Cash credited that experience with helping him turn around and save his life. He later returned to LaFayette to play a benefit concert; it attracted 12,000 people (the city population was less than 9,000 at the time) and raised $75,000 for the high school.[58] Reflecting on his past in a 1997 interview, Cash noted: “I was taking the pills for awhile, and then the pills started taking me.”[59] June, Maybelle, and Ezra Carter moved into Cash’s mansion for a month to help him get off drugs. Cash proposed onstage to June on February 22, 1968, at a concert at the London Gardens in London, Ontario, Canada. The couple married a week later (on March 1) in Franklin, Kentucky. She had agreed to marry Cash after he had “cleaned up.”[60] Cash’s journey included rediscovery of his Christian faith. He took an “altar call” in Evangel Temple, a small church in the Nashville area, pastored by Reverend Jimmie Rodgers Snow, son of country music legend Hank Snow. According to Marshall Grant, though, Cash did not completely stop using amphetamines in 1968; and did not fully end drug use for another two years. He was drug-free for a period of seven years. In his memoir about time with Cash, Grant said that the birth of Cash’s son, John Carter Cash, inspired the singer to end his dependence.[61] Cash began using amphetamines again in 1977. By 1983, he was deeply addicted again. He entered rehab at the Betty Ford Clinic in Rancho Mirage for treatment. He stayed off drugs for several years, but relapsed. In 1989, he entered Nashville’s Cumberland Heights Alcohol and Drug Treatment Center. In 1992, he started care at the Loma Linda Behavioral Medicine Center in Loma Linda, California, for his final rehabilitation treatment. (Several months later, his son followed him into this facility for treatment.)[62][63] Folsom and other prison concerts In the late 1950s Cash began performing concerts at prisons. He played his first notable prison concert on January 1, 1958, at San Quentin State Prison in California.[64] These performances were recorded live, and released on highly successful albums: Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969). Both live albums reached number one on Billboard country album music and the latter crossed over to reach the top of the Billboard pop album chart. In 1969, Cash became an international hit when he eclipsed even The Beatles by selling 6.5 million albums.[65] In comparison, the prison concerts were much more successful than his later live albums such as Strawberry Cake recorded in London and Live at Madison Square Garden, which peaked at numbers 33 and 39 on the album charts, respectively. The Folsom Prison record was introduced by a rendition of his “Folsom Prison Blues”, while the San Quentin record included the crossover hit single “A Boy Named Sue”, a Shel Silverstein novelty song that reached number one on the country charts and number two on the U.S. top-10 pop charts. In 1972 Cash performed at the sterker Prison in Sweden. The live album P sterker (At sterker) was released in 1973. “San Quentin” was recorded with Cash replacing “San Quentin” with “sterker”. In 1976, a concert at Tennessee State Prison was videotaped for TV broadcast. It was posthumously released after Cash’s death as a CD entitled A Concert Behind Prison Walls. Activism for Native Americans Cash used his stardom and economic status to bring awareness to the issues surrounding the Native American people.[66] Cash sang songs about indigenous humanity in an effort to confront the U.S. government. Many non-Native Americans did not address those topics in their music.[67] In 1965, Cash and June Carter appeared on Pete Seeger’s TV show, Rainbow Quest, on which Cash explained his start as an activist for Native Americans: In ’57, I wrote a song called “Old Apache Squaw” and then forgot the so-called Indian protest for a while, but nobody else seemed to speak up with any volume of voice.[68] Columbia Music, the label for which Cash was recording then, was opposed to putting the song on his next album, considering it “too radical for the public”.[69] Cash singing songs of Indian tragedy and settler violence went radically against the mainstream of country music in the 1950s, which was dominated by the image of the righteous cowboy who makes the native’s soil his own.[70] In 1964, coming off the chart success of his previous album I Walk the Line, he recorded the aforementioned album Bitter Tears: Ballads of the American Indian. The album featured stories of a multitude of Indigenous peoples, emphasizing their violent oppression by white settlers: the Pima people (“The Ballad of Ira Hayes”), Navajo (“Navajo”), Apache (“Apache Tears”), Lakota (“Big Foot”), Seneca (“As Long as the Grass Shall Grow”), and Cherokee (“The Talking Leaves”). Cash wrote three of the songs himself and one with the help of Johnny Horton. The majority of these protest songs were written by folk artist Peter La Farge (son of Oliver La Farge, an activist and Pulitzer prizewinner.) Cash met the younger La Farge in New York in the 1960s and admired him for his activism.[71] The album’s single, “The Ballad of Ira Hayes” was generally not played by commercial radio. (Ira Hayes was a Native American who was one of the six soldiers featured in a photo raising the U.S. flag at Iwo Jima during World War II.) The record label denied it promotion due to what it considered a provocative and “unappealing” nature. Cash faced resistance and was urged by an editor of a country music magazine to leave the Country Music Association, who said: “You and your crowd are just too intelligent to associate with plain country folks, country artists, and country DJs.”[72] In reaction, on August 22, 1964, Cash posted a letter as an advertisement in Billboard, calling the record industry cowardly: “D.J.s station managers owners […] where are your guts? I had to fight back when I realized that so many stations are afraid of Ira Hayes. Just one question: WHY??? Ira Hayes is strong medicine […] So is Rochester, Harlem, Birmingham and Vietnam.”[73][74] Cash kept promoting the song and persuaded disc jockeys he knew to play it. The song eventually reached number three on the country charts, and the album rose to number two on the album charts.[72] Cash in 1969 Later, on The Johnny Cash Show, he continued telling stories of Native-American plight, both in song and through short films, such as the history of the Trail of Tears.[75] In 1966, in response to his activism, Cash was adopted by the Seneca Nation’s Turtle Clan.[76] He performed benefits in 1968 at the Rosebud Reservation, close to the historical landmark of the massacre at Wounded Knee, to raise money to help build a school. He also played at the D-Q University in the 1980s.[77] In 1970, Cash recorded a reading of John G. Burnett’s 1890, 80th-birthday essay[78] on Cherokee removal for the Historical Landmarks Association (Nashville).[79] The Johnny Cash Show From June 1969 to March 1971, Cash starred in his own television show, The Johnny Cash Show, on the ABC network.[80] Produced by Screen Gems, the show was performed at the Ryman Auditorium in Nashville. The Statler Brothers opened for him in every episode; the Carter Family and rockabilly legend Carl Perkins were also part of the regular show entourage. Cash also enjoyed booking mainstream performers as guests; including Linda Ronstadt in her first TV appearance, Neil Young, Louis Armstrong, Neil Diamond, Kenny Rogers and the First Edition (who appeared four times), James Taylor, Ray Charles, Roger Miller, Roy Orbison, Derek and the Dominos, Joni Mitchell, and Bob Dylan.[80] From September 1518, 1969, in Albuquerque, New Mexico, he performed a series of four concerts at the New Mexico State Fair to promote the first season of The Johnny Cash Show.[81][82] These live shows were produced with help from ABC and local concert producer Bennie Sanchez; during these sets, Johnny Cash and Al Hurricane performed together.[83] Also during The Johnny Cash Show era, he contributed the title song and other songs to the film Little Fauss and Big Halsy, which starred Robert Redford, Michael J. Pollard, and Lauren Hutton.[84] The title song, “The Ballad of Little Fauss and Big Halsy”, written by Carl Perkins, was nominated for a Golden Globe award in 1971.[85] Cash had first met with Dylan in the mid-1960s and became neighbors in the late 1960s in Woodstock, New York. Cash was enthusiastic about reintroducing the reclusive Dylan to his audience. Cash sang a duet with Dylan, “Girl from the North Country”, on Dylan’s country album Nashville Skyline and also wrote the album’s Grammy-winning liner notes. Another artist who received a major career boost from The Johnny Cash Show was Kris Kristofferson, who was beginning to make a name for himself as a singer-songwriter. During a live performance of Kristofferson’s “Sunday Mornin’ Comin’ Down”, Cash refused to change the lyrics to suit network executives, singing the song with its references to marijuana intact: On a Sunday morning sidewalk I’m wishin’, Lord, that I was stoned.[86] The closing program of The Johnny Cash Show was a gospel music special. Guests included the Blackwood Brothers, Mahalia Jackson, Stuart Hamblen, and Billy Graham.[87] The “Man in Black” Cash advocated prison reform at his July 1972 meeting with President Richard Nixon By the early 1970s, Cash had established his public image as the “Man in Black”. He regularly performed in entirely black suits with a long, black, knee-length coat. This outfit stood in contrast to the rhinestone suits and cowboy boots worn by most of the major country acts of his day. Cash performing in Bremen, West Germany, in September 1972 Cash said he wore all black on behalf of the poor and hungry, the “prisoner who has long paid for his crime”, and those who have been betrayed by age or drugs.[88] He added, “With the Vietnam War as painful in my mind as it was in most other Americans, I wore it ‘in mourning’ for the lives that could have been’ … Apart from the Vietnam War being over, I don’t see much reason to change my position … The old are still neglected, the poor are still poor, the young are still dying before their time, and we’re not making many moves to make things right. There’s still plenty of darkness to carry off.”[88] Cash in the “one piece at a time” Cadillac Initially, he and his band had worn black shirts because that was the only matching color they had among their various outfits. He wore other colors on stage early in his career, but he claimed to like wearing black both on and off stage. He stated that political reasons aside, he simply liked black as his on-stage color.[9] The outdated US Navy’s winter blue uniform used to be referred to by sailors as “Johnny Cashes”, as the uniform’s shirt, tie, and trousers are solid black.[89] In the mid-1970s, Cash’s popularity and number of hit songs began to decline. He made commercials for Amoco and STP, an unpopular enterprise at the time of the 1970s energy crisis. In 1976, he made commercials for Lionel Trains, for which he also wrote the music.[90] However, his first autobiography, Man in Black, was published in 1975 and sold 1.3 million copies. A second, Cash: The Autobiography, appeared in 1997. Cash’s friendship with Billy Graham[91] led to his production of a film about the life of Jesus, Gospel Road: A Story of Jesus, which Cash co-wrote and narrated. It was released in 1973. Cash viewed the film as a statement of his personal faith rather than a means of proselytizing.[92] Cash and June Carter Cash appeared several times on the Billy Graham Crusade TV specials, and Cash continued to include gospel and religious songs on many of his albums, though Columbia declined to rel Discography Main articles: Johnny Cash albums discography, Johnny Cash singles discography, and Johnny Cash Sun Records discography See also: List of songs recorded by Johnny Cash Johnny Cash with His Hot and Blue Guitar! (1957) The Fabulous Johnny Cash (1958) Hymns by Johnny Cash (1959) Songs of Our Soil (1959) Now, There Was a Song! (1960) Ride This Train (1960) Hymns from the Heart (1962) The Sound of Johnny Cash (1962) Blood, Sweat and Tears (1963) The Christmas Spirit (1963) Keep on the Sunny Side (with the Carter Family) (1964) I Walk the Line (1964) Bitter Tears: Ballads of the American Indian (1964) Orange Blossom Special (1965) Johnny Cash Sings the Ballads of the True West (1965) Everybody Loves a Nut (1966) Happiness Is You (1966) Carryin’ On with Johnny Cash & June Carter (with June Carter) (1967) From Sea to Shining Sea (1968) The Holy Land (1969) Hello, I’m Johnny Cash (1970) Man in Black (1971) A Thing Called Love (1972) America: A 200-Year Salute in Story and Song (1972) The Johnny Cash Family Christmas (1972) Any Old Wind That Blows (1973) Johnny Cash and His Woman (with June Carter Cash) (1973) Ragged Old Flag (1974) The Junkie and the Juicehead Minus Me (1974) The Johnny Cash Children’s Album (1975) Johnny Cash Sings Precious Memories (1975) John R. Cash (1975) Look at Them Beans (1975) One Piece at a Time (1976) The Last Gunfighter Ballad (1977) The Rambler (1977) I Would Like to See You Again (1978) Gone Girl (1978) Silver (1979) A Believer Sings the Truth (1979) Johnny Cash Sings with the BC Goodpasture Christian School (1979) Rockabilly Blues (1980) Classic Christmas (1980) The Baron (1981) The Adventures of Johnny Cash (1982) Johnny 99 (1983) Highwayman (with Waylon Jennings, Willie Nelson & Kris Kristofferson) (1985) Rainbow (1985) Heroes (with Waylon Jennings) (1986) Class of ’55 (with Roy Orbison, Jerry Lee Lewis & Carl Perkins) (1986) Believe in Him (1986) Johnny Cash Is Coming to Town (1987) Classic Cash: Hall of Fame Series (1988) Water from the Wells of Home (1988) Boom Chicka Boom (1990) Highwayman 2 (with Waylon Jennings, Willie Nelson & Kris Kristofferson) (1990) The Mystery of Life (1991) Country Christmas (1991) American Recordings (1994) The Road Goes on Forever (with Waylon Jennings, Willie Nelson & Kris Kristofferson) (1995) American II: Unchained (1996) American III: Solitary Man (2000) American IV: The Man Comes Around (2002) My Mother’s Hymn Book (2004) American V: A Hundred Highways (2006) American VI: Ain’t No Grave (2010) Out Among the Stars (2014) Songwriter (2024) Filmography Film YearTitleRoleNotes 1961Five Minutes to LiveJohnny CabotAlso titled Door-To-Door Maniac 1967The Road to NashvilleHimself 1971A GunfightAbe Cross 1973Gospel Road: A Story of JesusNarrator/Himself 1983KaireiUncle JohnJapanese film 1994Gene Autry, Melody of the WestNarratorDocumentary film; voice acting role 2003The HuntedNarratorVoice acting role 2014The Winding StreamInterview subjectDocumentary film; archive footage Television YearTitleRoleNotes 1959Shotgun SladeSheriffEpisode: “The Stalkers” 1959Wagon TrainFrank HoagEpisode: “The C.L. Harding Story 1960The RebelPrattEpisode: “The Death of Gray” 1961The DeputyBo BraddockEpisode: “The Deathly Quiet” 19691971The Johnny Cash ShowHimself host and performer58 episodes 1970NET PlayhouseJohn RossEpisode: “Trail of Tears” 1970The Partridge FamilyVariety Show HostEpisode: “What? Get Out of Show Business?” 19731992Sesame StreetHimself4 episodes 19741988Hee HawHimself4 episodes 1974ColumboTommy BrownEpisode: “Swan Song” 1974Johnny Cash Ridin’ the RailsThe Great American Train StoryHimself 1976Johnny Cash and FriendsHimself4 episodes 1976Little House on the PrairieCaleb HodgekissEpisode: “The Collection” 19761985Johnny Cash specials (various titles)Himself15 specials 1978Thaddeus Rose and EddieThaddeus RoseTelevision film 1978Steve Martin: A Wild and Crazy GuyHimselfTelevision special[180] 1980The Muppet ShowHimselfEpisode: “#5.21” 1981The Pride of Jesse HallamJesse HallamTelevision film 1982Saturday Night LiveHimselfEpisode: “Johnny Cash/Elton John” 1983Murder in Coweta CountyLamarr PottsTelevision film; also producer 1984The Baron and the KidThe Baron WillTelevision film 1985North and SouthJohn Brown6 episodes 1986The Last Days of Frank and Jesse JamesFrank JamesTelevision film 1986StagecoachCurly WilcoxTelevision film 1988The Magical World of DisneyElder Davy CrockettEpisode: “Rainbow in the Thunder” 19931997Dr. Quinn, Medicine WomanKid Cole4 episodes 1996RenegadeHenry TravisEpisode: “The Road Not Taken” 1997The SimpsonsSpace CoyoteEpisode: “El Viaje Misterioso de Nuestro Jomer (The Mysterious Voyage of Homer)”; voice acting role 1998All My Friends Are CowboysHimselfTelevision special 2014Johnny Cash: The Man, His World, His MusicHimselfTelevision film; BBC Bio Documentary by Robert Elfstrom; archive footage

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