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Artist:R.E.M.
Speed:33 RPM
Record Label:Concord Records
Release Title:OUT OF TIME AUTOMATIC MONSTER & HI-FI
Color:Black
Material:Vinyl
Edition:Anniversary Edition,Collector’s Edition,Deluxe Edition,First Edition,First Pressing,Limited Edition,Rarities Edition,Remastered,Special Edition
Type:LP
Format:VERIFIED ANNIVERSARY EDITIONS 180 GRAM LP SET
Release Year:2016
Style:Rock ‘n’ Roll
Record Size:12″
Features:Original Cover,Original Inner Sleeve,Remastered,Sealed,180 – 220 gram,Limited Edition,Special Edition
Genre:Rock
THE 25TH ANNIVERSARY 1ST EDITION SETS – FOUR TITLES WITH 6 SIDES OF VINYL – ALL TITLES NEVER HAD STORE PRICE STICKERS ATTACHED TO THE PLASTIC WRAP BUT HAVE THEIR VERIFYING COLLECTORS ORIGINAL RELEASE 1ST EDITION MARKETING/HYPE STICKER PROVING THAT THESE LPS ARE THE ORIGINAL ISSUES OF THESE EDITIONS AND THAT THESE ISSUES WERE pressed ON 180 GRAM PREMIUM REMASTERED VINYL AND THAT THOSE STICKERS ARE STILL ATTACHED TO THE SEALED PLASTIC WRAP PROTECTING THE LP JACKET & VINYL INSIDE. IF YOU DON’T SEE THESE STICKERS ATTACHED YOU ARE NOT PURCHASING AN ORIGINAL ISSUE OF THESE RELEASES.STARTS WITH R.E.M. Out Of Time 25th Anniversary Edition 180 GRAM LIMITED LP 25th Anniversary Edition Reissued on 180g Vinyl LP! Remastered from Original Analog Masters! 1992 Grammy Winner! Best Alternative Music Album Best Pop Performance by A Duo or Group with Vocal: Losing My Religion Best Short Form Music Video: Losing My Religion The seventh studio album from R.E.M. propelled their status from cult status to that of a massive international act. The album topped the charts in both the U.S. and the UK. The album features the hit Grammy-winning single “Losing My Religion” and “Shiny Happy People”. Features: 25th Anniversary Edition 180g Vinyl Remastered from Original Analog Masters Limited Time Download Card Selections: Time Side: 1. Radio Song 2. Losing My Religion 3. Low 4. Near Wild Heaven 5. Endgame Memory Side: 1. Shiny Happy People 2. Belong 3. Half A World Away 4. Texarkana 5. Country Feedback 6. Me In Honey R.E.M. Automatic For The People 180 GRAM 25TH ANNIVERSARY LIMITED EDITION LP TAS Super LP List! Special Merit: Informal 25th Anniversary 180g Vinyl LP! Remastered Audio From The Original Analog Master! Includes The Hits “Everybody Hurts”, “Man On The Moon” & “Nightswimming”! Rolling Stone 500 Greatest Albums of All Time – Rated 249/500! Rock icons R.E.M. reissue their landmark album Automatic For The People to commemorate the titles 25th Anniversary. Widely considered to be one of the best albums of the ’90s, 1992s Automatic For the People followed R.E.M.’s breakthrough album, Out of Time, and did not disappoint. Beloved by critics, the band’s eighth studio album topped charts worldwide, and was certified 4x platinum in the US. Features iconic hit singles “Nightswimming,” “Man on the Moon” and 90’s anthem, “Everybody Hurts.” Features: 180g Vinyl Remastered From Original Analog Tapes by Stephen Marcussen Limited time digital download card Selections: 1. Drive 2. Try Not To Breathe 3. The Sidewinder Sleeps Tonite 4. Everybody Hurts 5. New Orleans Instrumental No.1 6. Sweetness Follows 7. Monty Got A Raw Deal 8. Ignoreland 9. Star Me Kitten 10. Man On The Moon 11. Nightswimming 12. Find The River R.E.M. New Adventures In Hi-Fi (25th Anniversary) 180 GRAM LIMITED EDITION 2 LP SET 25th Anniversary Reissue On 180g Vinyl 2LP! Remastered With Lacquers Cut by Kevin Gray at Cohearent Audio! Pressed at RTI! Celebrating the 25th anniversary of R.E.M.’s tenth studio album, New Adventures In Hi-Fi, this special pressing – replicating the original gatefold package – offers the newly remastered album across 2-LPs, pressed on 180-gram vinyl, with lacquers cut by Kevin Gray at Cohearent Audio. The platinum-selling album features the singles “Bittersweet Me”, “Electrolite” and “E-Bow The Letter”. First released in September 1996, New Adventures in Hi-Fi endures as one of R.E.M.’s most acclaimed albums and stands as a favorite among band members and fans alike. The album was a global success, achieving platinum certification in the US and peaking at No.2 on the Billboard 200. Elsewhere, the album went to No.1 in more than a dozen countries, including Australia, the UK, and Canada. Critically, New Adventures in Hi-Fi received wide praise and was named as one of the best albums of the year by such outlets as Rolling Stone, Spin, Mojo, Entertainment Weekly, and the NME. Over the decades, the title has achieved cult status, with several press retrospectives ranking it among the top albums in R.E.M.’s rich catalog of releases. Recorded at the height of their fame, New Adventures in Hi-Fi also marks R.E.M.’s final album with drummer and founding member Bill Berry, who left the group amicably the following year. Perhaps most remarkable, however, is that the album found the band taking a unique creative approach: writing and recording much of the LP on the road, during their 1995 Monster tour. While writing new material on the road wasn’t an unusual feat for R.E.M., New Adventures was unlike anything they had done before. As they embarked on tour, the band sought to create an abstract travelogue documenting every emotion and experience as it happened. “We wanted to make a record about being on the road without singing about being on the road,” bassist Mike Mills explains in the liner notes. “The idea was that the feeling of being on the road would come through in the sound and feel of the record itself.” The band traveled with a mobile recording truck, capturing new songs on an 8-track during soundchecks (as well as in various backstage areas and on the tour bus). “The idea was, ‘Let’s challenge ourselves,'” guitarist Peter Buck tells journalist Mark Blackwell. “My feeling was, it’ll show exactly where we’re at right now in a way that maybe some of the records don’t at all. This record was just an attempt to be who we were at that minute.” The year-long outing, which began in January 1995, marked R.E.M.’s first tour in six years. As one of the biggest bands in the world, the quartet played to packed arenas across North America, Europe, Australia, and Japan, with support from acts like Sonic Youth and Radiohead. But along the way, the tour was marred by medical emergencies. In March, Berry collapsed on stage from an aneurism and spent the next month recuperating. Mills, meanwhile, underwent intestinal surgery in June. A month later, Stipe had emergency surgery for a hernia (which, he asserts, occurred while performing the song, “Undertow”). After the band returned from the eventful – yet highly successful – run of dates, they entered the studio with their longtime producer, Scott Litt, to record a few final tracks and put finishing touches on others. Among them was the epic, seven-minute-long “Leave”; “E-Bow The Letter” featuring backing vocals from the legendary singer-songwriter Patti Smith; “New Test Leper”, which Buck proclaims is his favorite R.E.M. song; and “How The West Was Won And Where It Got Us”, one of several songs on the album inspired by Stipe’s experiences living in Los Angeles. Upon its release, New Adventures in Hi-Fi marked R.E.M.’s longest studio album, with a total run-time of 65 minutes. Filled with cinematic storytelling, haunting effects, and dissonant notes, New Adventures in Hi-Fi found R.E.M. exploring diverse sonic territories – particularly in songs like “Low Desert” which, Berry describes, is “just dusty and kind of slow and it’s swampy…I feel isolated when I listen to that song, but it’s a good thing.” Stipe adds that the song offers such questions as, “What are we doing in the desert? What are we doing in the American West? What are we doing in this unlivable, uninhabitable place?” Other tracks, like “Departure” and “The Wake-Up Bomb” deliver classic R.E.M. rock vibes. The band looks back on New Adventures in Hi-Fi with great pride. Buck, perhaps, sums it up best. “Most records, you go in the studio and you just do ‘em. And years later all you really remember is vaguely where you stayed, and the songs and the recording process. But this one I remember every bit of it. It was an experience. It was f**king tough, but we made a record. And it was as challenging as anything I’ve ever done.” Fresh from the experience of making Monster, arguably the group’s loudest record, and surviving the aneurysm that felled drummer Bill Berry, R.E.M. were feeling confident in their abilities as a band. So much so that they decided to use the off-hours of their 1995-96 tour to craft the material for their next album, 1996’s New Adventures in Hi-Fi. The volume and drive of Monster remained but it was kept in check with songs that felt closer to the dark, jangling spirit of Automatic For The People. They sought such ground later, but it was only on Adventures that they reached it and planted their flag with the smoky beauty of ‘E-Bow The Letter’ and ‘New Test Leper,’ and the oxidized crumble of ‘The Wake-Up Bomb’ and ‘Binky The Doormat.’ While the deluxe CD version of this 25th anniversary re-release is packed with bonus stuff, the vinyl edition sticks to the original tracklist with some nicely fattened sound. It’s more than enough. -Robert Ham, Paste Magazine Features 25th Anniversary Edition 180g Vinyl Double LP Remastered Lacquers cut by Kevin Gray at Cohearent Audio Pressed at RTI Gatefold jacket Selections Side One: How The West Was Won And Where It Got Us The Wake-Up Bomb New Test Leper Side Two: Undertow E-Bow The Letter Leave Side Three: Departure Bittersweet Me Be Mine Binky The Doormat Side Four: Zither So Fast, So Numb Low Desert Electrolite R.E.M. Monster 180 GRAM LIMITED EDITION 25TH ANNIVERSARY 2 LP SET25th Anniversary Reissue Of Acclaimed Album On 180g Double LP!Expanded Edition Includes Original LP + 2019 Remixed Version!This expanded anniversary edition of Monster, offering the original album and the 2019 remixed version, is available on two 180-gram vinyl LPs featuring reimagined cover art by longtime R.E.M. designer Chris Bilheimer.When Monster was released in September 1994, the members of R.E.M. were at a crossroads in their career. Singer Michael Stipe, guitarist Peter Buck, bassist Mike Mills and drummer Bill Berry were decompressing from the massive commercial and critical success of 1991’s Out Of Time and 1992’s Automatic For The People. In just a few years, the Athens, GA, four-piece had become one of the biggest, most recognizable bands in the world, thanks to hits like “Losing My Religion”, “Man On The Moon” and “Everybody Hurts”. It had also been six years since the group had toured.By the time that work began on Monster, they were itching to end their self-imposed hiatus and get back on the road. The band was also looking for a sonic shake-up. While R.E.M.’s last two albums were full of ballads, acoustic rock songs and intricate arrangements, the group was ready to record something grittier, brasher and highly playable on stage. In his liner notes, journalist Matthew Perpetua writes that Monster “had no precedent in the band’s catalogue,” adding that R.E.M had “never been this distorted and dirty, or this glam or this flirty.” Buck recalls, “We were trying to feel like a different band … We wanted to get away from who we were.” The group was also reeling from the strange nature of celebrity and identity, and many of the songs in this album reflect that. Perpetua notes, “There’s no question that the characters on Monster are all dealing with obsession in some form or another, whether it’s the infatuated narrator of ‘Crush With Eyeliner,’ the lovelorn protagonist of ‘Strange Currencies,’ or the cackling supervillain in ‘I Took Your Name.'” As dark as some of the subject matter is, though, R.E.M. still infuses the songs with a dash of absurdity, irony and a humorous wink.Highlights off the album include the distortion-soaked first single, “What’s The Frequency, Kenneth?” which plays off the farce of media and marketing that pervaded Gen X pop-culture, while the catchy “Star 69” is a detective story, based on the ’90s phone service of the same name (a precursor to caller ID). The second single, “Bang and Blame” features Sonic Youth’s Thurston Moore, as well as actress Rain Phoenix–whose brother, River, had recently passed away and was Monster’s dedicatee. “Let Me In” is an ode to Nirvana frontman Kurt Cobain, who had died by suicide just months before. Mills, who swapped his bass for Cobain’s guitar on the track, shares, “It’s Michael’s cathartic release in response to the loss of a good friend and someone we all felt creatively aligned with.”The band’s new artistic direction proved to be a hit. Monster debuted at No. 1 on the Billboard 200 and would be certified four-times Platinum in the U.S. Rolling Stone offered this praise: “R.E.M.’s exceptional pop craftsmanship, their luminous melodic inventions, their sense of mission–in short, everything fundamental–are still there and shining more brightly than ever … Monster is one urgent-sounding album, and that’s as it should be.”In addition to having the chance to reflect on Monster, R.E.M. also had the opportunity to revisit the album creatively with their longtime producer, Scott Litt. Litt, who struggled with the original mix, recalls, “I had told the band through the years that if there was ever a chance to take another shot at mixing the album, I wanted to do it.” Now, 25 years later, he’s had the chance, and the results are striking. On some songs, according to Perpetua, Litt’s work features “Entirely different vocal takes and instrumental parts that were either buried or excised from the original album mix.” Mills adds, “I think as he listened to it over the years, he began to hear a different way to realize those songs.” Ultimately, with this reissue, fans will not only have the opportunity to re-discover Monster but also, perhaps, see the album in a completely new light. Features25th Anniversary Expanded Edition180g VinylDouble LPOriginal LP remastered by Greg Calibi at Sterling Sound from the original analog masterSpecial 2019 remix LP from original producer Scott LittReimagined cover art by longtime R.E.M. designer Chris BilheimerGatefold jacketNew liner notes featuring interviews from members of the bandMade in the USASelectionsSide A:What’s The Frequency, Kenneth?Crush With EyelinerKing Of ComedyI Don’t Sleep, I DreamStar 69Strange CurrenciesSide B:TongueBang And BlameI Took Your NameLet Me InCircus EnvyYouSide C:What’s The Frequency, Kenneth? (Remix)Crush With Eyeliner (Remix)King Of Comedy (Remix)I Don’t Sleep, I Dream (Remix)Star 69 (Remix)Strange Currencies (Remix)Side D:Tongue (Remix)Bang And Blame (Remix)I Took Your Name (Remix)Let Me In (Remix)Circus Envy (Remix) You (Remix) E-BAY STORE. FOR YOUR INDIVIDUAL OUT OF PRINT LIMITED EDITIONS VINYL SELECTIONS – INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN FOR OTHER TITLES MYMUSICFIX ONLY HAS ONE COPY LEFT FOREVER USE THE CODE REM INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR AS OF Sep-26-2008 per USPS policy, seller added the following information: International Buyers – Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer’s responsibility. Please check with your country’s customs office to determine what these additional costs will be prior to bidding or buying. Note: It’s illegal to falsify customs declarations or mark an item as a “GIFT” or mark item at a LESSER VALUE in order to avoid customs fees INTERNATIONAL BUYERS NEED TO BE AWARE OF THE CUSTOM’S TAXES IN THEIR OWN COUNTRY AND KNOW THEY (AS THE BUYER) ARE RESPONSIBLE FOR CUSTOMS TAXES. FACTORY SEALED OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE. USA SHIPPING: We box/package protectively – Ship UPS Ground/Insured within Continental USA – Hawaii/Alaska by mail. We accept PayPal ONLY WITH CONFIRMED SHIPPING ADDRESS INT’L SHIPPING: Because of Postal Regulations in following countries — U.K. (England, Ireland, Wales and Scotland), SOUTH AMERICAN COUNTRIES, QATAR, PHILIPPINES, SRI LANKA, ISRAEL, RUSSIA, MEXICO and MALTA – AT CHECKOUT, MUST CHOOSE EXPRESS SHIPPING ONLY – NEW — AUSTRALIA SHIPS EXPRESS ONLY We box/package protectively for safe world-wide shipping. When accepting PayPal, ship ONLY BY PRIORITY MAIL/FULLY INSURED OR EXPRESS MAIL FULLY INSURED – International Buyers are responsible for their country’s Customs Fees. Mymusicfix has been told that we have the best collection of Rare Out of Print Audiophile music on E-Bay. Enjoy being one of the last few to own/collect this Rare piece of musical history. FYI MFLP 1&DONE2 200G LPVALUE HALFSPEED 200G
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